Welcome

In her creative work, the Swiss composer Daniela Achermann moves within a dialogue between transparent structures and fluid sonic colours. Her work combines a powerful intensity with a search for connection, silence, and space. Her scores are designs for acoustic sanctuaries – sustained by a profound closeness to nature and the exploration of its living form.

Sound Walk

Danse de percussions (Beginning)

for piano, accordion, and percussion (2015)
Ensemble SARGO
2015, Neubad Lucerne

Tides (Beginning)

for ensemble (2024)
Ensemble Montaigne, Andreas Brenner, conductor
2024, Pauluskirche Basel

Jeu de couleurs (Beginning)

for chamber orchestra (2015)
inTakt Youth Chamber Orchestra, Andreas Brenner, conductor
2015, Matthäuskirche Lucerne

Ride (End)

for orchestra (2018)
Orchestre de la Suisse Romande, Philippe Béran, conductor
2018, Victoria Hall, Geneva; recording with Radio Espace 2

Himmelsläufer

from «Dreizehn Szenen nach Tiergedichten von Franz Hohler»
for organ (2019)
Daniela Achermann, organ
2025, Sursee City Church

Works

I. Orchestra & Large Ensemble

Au milieu for eight voices and two French natural horns (2025)

Tides for ensemble (2024)

Ride for orchestra (2018)

Jeu de couleurs for chamber orchestra (2015)

Delusion Short opera (2012–2013)

II. Chamber Music

Vier Gesualdo-Bruchstücke for saxophone quartet (SATB) (2021)

Vier Resonanzen auf nordindische Melodien for violin and piano (2020)

Drei Dialoge for two organs (2020)

Sept étoiles filantes for violin, piano, and string quartet (2017)

Fleurs de l'ombre for flute, saxophone, violin, cello, piano, and percussion (2016)

Danse de percussions for piano, accordion, and percussion (2015)

«Seit ich ihn gesehen …» Scene for mezzo-soprano and piano (2013)

No. 1 for brass quintet (2013)

Sechs Skizzen for pan flute, clarinet, and guitar (2013)

III. Solo Instruments

Eisblumen Eight fragments for clarinet in B-flat (2020)

Intro und Capriccio for organ (2020)

Flirren for organ (2019)

Dreizehn Szenen nach Tiergedichten von Franz Hohler for organ (2019)

Echo vom Gemsläckitossä for organ (2017)

Les hôtes des ondes for organ (2016)

Brise d'air for organ (2014)

Klavierstudien (2009–2011)

Nun trägt der Abendwind Chorale Prelude for Organ (2010)

Neun ungarische Miniaturen for piano (2009)

IV. Arrangements

Bruyères from Préludes II by Claude Debussy

Dolcissima mia vita from the 5th Book of Madrigals by Carlo Gesualdo

La Captive op. 12 by Hector Berlioz

Phidylé by Henri Duparc

Current

Im neuen Klanggewand

Stadtkirche Sursee

Sunday, October 25, 2026, 5:00 p.m.

Nicoleta Paraschivescu, organ
Daniela Achermann, chest organ

Weihnachtskonzert

Stadtkirche Sursee

St. Stephen’s Day, December 26, 2026, 17:00 p.m.

Aliza Vicente, violin
Rahel Wittling, violin
Lukas Hamberger, viola
Johannes Kofler, cello
Dina Kehl, violone/viola da gamba
Stephanie Schacht, traverso
Olga Marulanda, oboe
Martin Roos, horn
Patrik Gasser, horn
Thomas Ragossnig, harpsichord
Daniela Achermann, harpsichord

Surseer Orgeltage: Organ Workshop

Stadtkirche Sursee

Saturday, 13. März 2027, 13:30-16:30 p.m.

Surseer Orgeltage: Musikmärchen

Stadtkirche Sursee

Sunday, March 14, 2027, 5:00 p.m.

Jolanda Steiner, storyteller
Maria Rösti, flute
Daniela Maranta, organ
Andreas Wüest, organ
Daniela Achermann, organ

Biography

Daniela Achermann

Daniela Achermann is a Swiss composer, organist, and pianist. Raised in New Zealand and trained in Basel, Lucerne, and San Rafael (USA), her creative work is grounded in a multi-faceted musical background.

Following diplomas in piano and organ, Daniela Achermann studied composition with Dieter Ammann. She received further inspiration through composition courses with Wolfgang Rihm and Isabel Mundry, as well as through her studies in musicology at the University of Basel.

She was also shaped by her long-standing dedication to classical North Indian music under Ali Akbar Khan and Ken Zuckerman at the Ali Akbar College of Music, where she also taught sarod. In recent years, she has increasingly dedicated herself to early music on the harpsichord.

Her works have been performed by ensembles such as the Theater Luzern, the Lucerne Chamber Orchestra, and the Ensemble Montaigne. In 2018, the Orchestre de la Suisse Romande recorded her orchestral piece Ride. She won the Alois Koch Prize (2013) and was awarded first prize at the Harald Genzmer Composition Competition in Munich in 2020.

Currently, Daniela Achermann is the principal organist at the Stadtkirche St. Georg in Sursee, director of the concert series «Klangraum Sursee», and initiator and co-founder of the «Orgelschule Sursee».

Contact

Daniela Achermann
Mail

Sursee, Switzerland